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Next to the pointy hat and the broomstick, the cat, particularly the black cat, may be the most familiar attribute of any witch. “Familiar” is, in fact, what the witch’s cat is said to be, although not in the everyday sense of the word. So the question is, why do witches carry black cats on their broomsticks? The answer is complex, involving culture, capitalism and credulity.

While we use the word “familiar” for things which are known and not strange to us, the witch’s familiar is, by contrast, indeed strange and uncanny, a beast associated with magic, spirits, and unseen things. In magical parlance a familiar is a partner in the witch’s magical work and a helper in casting her spells.

The idea of a witch having a familiar is relatively recent in European history. By contrast, many other cultures consider it normal for a shaman, medicine person or sorcerer to employ spirits in their work. From Australia to Siberia, aboriginal cultures have a long tradition of spirit-animals as helpers in magical or shamanic practice. Sometimes these spirit animals were free to come and go in their own forms, but some magicians and sorcerers bound their helping spirits in objects such as rings or necklaces. King Solomon was reputed to be adept at binding spirits in bottles and jewels, and is said to have had such a ring which allowed him to understand the speech of animals.

In Europe, while witches were assumed to be able to take animal form, usually as cats or hares, animal helpers in magic didn’t become accepted as common practice until the 1500s. In fact, the most famous witch-hunting manual, the Malleus Malificarum (“The Hammer of Witches”), written in 1486, doesn’t even mention familiar spirits, animal-shaped or otherwise. The two German monks who wrote this manual were appointed “inquisitors of heretical depravity” by the pope of the day, Innocent VIII, while the witch-hunting craze was in full swing in Europe. If familiars or spirit animals had been part of the common belief about witchcraft, they’d have known it. The only mention they make of animals and magic is one reference to a witch taking the shape of a cat to harass a neighbour.

When the animal familiar does appear in the literature, it seems to be almost exclusively a feature of English and Scottish witchcraft. It’s not even clear that the familiar is an actual animal; whenever they do appear, they are described as spirits in animal form. They looked like small, common animals, such as cats, dogs, ferrets, hedgehogs, hares or toads. Depending on the source, familiars might subsist on blood sucked from the witch’s body, or they might be kept in a wool-lined basket and fed milk, bread or meat. Of these animals, the cat is most noticeably nocturnal. At a time when the night was considered by many people to be the domain of ghosts and demons, an animal that was at home in the dark was suspect.

These spirits often had quite undemonic names, such as Fancy, Tibbs, Ball or Rutterkin. Sometimes they had human names. Jane Bussey of Kent was accused at her trial in 1583 of keeping a familiar spirit in the shape of a grey cat named Russell, and Bessie Dunlop, 40 years later, had one named Tom Reid. These often silly and trivial names were supposed to deceive the witch into believing that she was not dealing with Satan. The funny names and the wool-lined basket certainly make these little animals seem more like pets than like eldritch spirits.

While some accused witches confessed to receiving a familiar from the devil, others said they had inherited a familiar from an older witch, often a deceased family member. (As anyone named by an accused witch might face similar accusations, a deceased relative was a safe name to give.) Some familiars even turned up by themselves, offering a magical way out of troubles such as poverty and starvation. One woman said she was so bothered by two “familiar spirits” who turned up spontaneously that she prayed for God to take them away.

 

In the 21st century it is relatively safe, possibly even trendy, to be a witch. Modern practitioners of witchcraft may get funny looks, religious harangues, possibly bricks through windows or other unwelcome attention, but at least legal prosecution and execution is no longer on the table. But during the late Middle Ages and even into the Renaissance, witchcraft was a serious accusation, and the immediate assumption was guilt unless the accused could prove her – sometimes his – innocence. So why, with so much at stake, would anyone say that her cat was anything but a companion and mouser? In most cases, it seems, it was under duress.

Most descriptions of familiars are recorded in the accounts of witch trials. The notorious Witchfinder General Matthew Hopkins, active from 1644-1647, was responsible for more people being executed for witchcraft in those three years than had been executed for it in the previous century. Trickery and torture of various sorts were common in the effort to prove the guilt of an accused witch. Witches were supposed to have a “devil’s mark” which was insensitive to pain, and part of a witchfinder’s arsenal was a pin which retracted into its handle rather than pricking, thus “proving” the accused a witch. Hopkins favoured sleep deprivation as his primary torture. An accused woman, frightened, hungry and sleep-deprived, might well hallucinate the appearance of spirits in animal form, or tell her captors whatever would allow her to lie down and sleep. One suspected witch, after four days without sleep, called out for her familiars and told them what shapes to take.

“Holt, who came in like a white kitling (kitten), Farmara … like a fat spaniel without any legs at all. Vinegar Tom, like a long-legged greyhound with a head like an Ox, Sack and Sugar like a black rabbit and Newes like a polecat.”

In addition the woman said she had command of several imps, named Elemanzer, Pyewacket, Peckin the Crown and Grizel Greedigut. While the names and appearances are recorded in the woman’s words, there is no record of whether Hopkins or any of his cronies actually saw the animals or imps in question.

Witchfinding, incidentally, was a paid profession, compensation often depending on the number of witches found. It’s worth noting that Hopkins was paid about a thousand pounds (about $250,000 today) over three years for his witch-finding accomplishments, so it paid him to be credulous. It’s doubtful he would have found so many guilty of witchcraft if he had been witchfinding in his spare time. But even without the incentive of pay, it seems that people were prepared to believe in demonic animals.

During the English Civil War, which lasted from 1642 to 1645, the Cavalier general Prince Rupert made a habit of taking his dog, a black standard poodle named Boy, into battle with him. Boy was greatly feared by the Roundheads, who believed he had magical powers, which probably says a lot more about Rupert’s skills as a general than about the dog. Nonetheless, when the Cavaliers were defeated the Roundheads shot Boy; according to some accounts they used a silver bullet, the only metal that would reliably kill an evil spirit.

 

The Puritans who went to the New World took their beliefs and fears with them. In 1648 the state of Massachusetts passed a law defining a witch as someone who had, or consulted with, a familiar spirit. The law was repealed in 1682, but that didn’t help the men and women of Salem who were accused of witchcraft ten years later. The evidence that doomed them was given by the teenaged girls who claimed that they were being magically tormented by various men and women, and often included allegations of familiar spirits. Ann Putnam, a thirteen-year-old instrumental in getting several people hanged for witchcraft, said to Martha Corey, “There is a yellow bird sucking between your fore finger and middle finger. I see it.” Again, there is no evidence that anyone but the accuser actually saw the bird.

So far the cats described as familiars have been the grey cats Russell and Tom Reid, and the white kitten Holt. In Macbeth, Shakespeare’s witches say: “Thrice the brinded cat hath mewed” – in other words, a brindle, or tortoiseshell cat. The tortoiseshell cat, often black with flecks of white and yellow, is “fire-touched”, and many torties also have a quite striking colour division down the face, which can give an odd, even spooky, appearance. Where is the black cat in all this?

Contrary to continental European and North American belief, in England and Scotland the black cat is considered lucky, and it is the white cat who bears the reputation for ill luck. King Charles I had a black cat which he called his luck, and when the cat died, he said, “My luck is gone.” It was, too, for shortly afterwards he was deposed and later beheaded.

 

It’s possible that part of the prejudice against black cats was the Roundheads’ hatred of the Royalists and all about them. That prejudice probably travelled to the New World, accounting for the North American idea of black cats as ill-luck omens. After the Restoration, however, it seems the prejudice against black cats was quickly forgotten in England. Today they feature as good luck symbols right along with four-leaved clovers and horseshoes. Folk healing spells often use the hair of a black cat to cure illness, and brushing the tail of a black cat over a stye will heal the afflicted eye. In many places it’s considered lucky to own a black cat, and sailors, in particular, count a black cat as good luck on a ship.

So why does a witch carry a black cat on her broomstick? The idea of the cat as a familiar spirit arose partly because of the capitalism that made Mathew Hopkins and other witchfinders wealthy at the expense of innocent people. It’s also partly because of the credulity of judges, in the old world and the new, that gave legal weight to the words of deluded children and terrified, hallucinating women. Perhaps it would have been a white cat, or a tortoiseshell one, if not for the Puritans’s view of the black cats as evil.

Or maybe none of those reasons have anything to do with it. Maybe a witch carries a black cat on her broomstick because an elephant just weighs too much.

Elizabeth Creith writes about the lighter side of rural living

By Interesting Facts

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Familiar Spirits: Animals in the English Witch Trials

 

Halloween is nearly upon us! And in the spirit of the season, today’s spooktacular Story from the Museum Floor by Stephanie, who works in the Museum Shop and with the Visitor Team at the Whitworth, explores the involvement of witches’ animals, or ‘familiars’ in the English Witch Trials of the seventeenth century.

Part One traces the evidence for the cat as the diabolical accomplice to witches and cunning folk… Then join us next time, on Halloween week when Stephanie turns her attention in a canine direction to ‘a thing like unto a black dog’…

For more about animals and nature, have a look at the Curator’s blog.

 

The Nature of the Familiar and its Origins.

Have a walk around Manchester Museum this Halloween and you’ll spot many an animal that was thought to be a possible guise for a witch’s ‘familiar‘ or had some sort of superstition attached. The figure of the familiar is one which is etched into our minds whenever we think of witches; whether we realise it as children or not. However, the being, often in animal form, accompanying the witch as she, or he, goes about their work is not merely a pet. The familiar, a spirit of a morally ambiguous or downright evil nature, was a prominent feature of beliefs about witchcraft in England during the sixteenth and seventeenth centuries and was also found in Scotland. Even the accusation that someone might have a familiar could cause them some trouble.

Familiars did not exclusively appear as animals, they might also take a more human-like form or that of strange hybrid creatures, but they most often appeared as animals that people might encounter in their daily lives in rural communities – sometimes domestic animals and others that might be classed as vermin. The animal form a familiar assumed could vary; birds, cats, dogs, hares, ferrets, moles, rats, toads, even horses were possible guises. Witches might also assume the guise of an animal themselves.

There are various theories as to the possible origins of familiars, with some citing medieval sorcerers and their summoning of spirits as one inspiration. Others have suggested that some stories were inspired by pets kept by the accused and anxieties about the propriety of doting on animals. Further theories have pointed to earlier beliefs about the devil and the forms in which he might appear.

Witches were not the only people who were believed to work with animals and spirits. Cunning folk were men and women who used magic to heal people and cattle, help someone to recover lost property, cure cases of bewitchment, help people in matters of love and many other things that might be causes of anxiety in daily life. They sometimes consulted spirits in order to achieve these ends and occasionally utilised animals in their cures. If their clients or neighbours took a disliking to them, cunning folk could be accused of being witches. These people and their clients were usually quite poor and may have believed in and held on to old superstitions about different kinds of fairies and spirits. They might also have retained some elements of Catholicism.

Witchcraft and the Law – Punishable by Death

In England in 1563, a statute was passed stating that charms, the conjuration of spirits and the use of witchcraft to harm or kill others were felonies. Bewitching someone to death was punishable by death. In 1604 another Witchcraft Act stated that associating with and keeping wicked spirits was a felony, placing more emphasis on familiars, although a belief that the nature of the relationship between a witch and her familiar was diabolic had already been present.

Cunning folk didn’t necessarily see themselves as witches but both ecclesiastical authorities and the secular courts that took control of witch trials were more inclined to view the use of spirits and charms as witchcraft, especially if it was thought that harm had been done to a person or their property. In more privileged circles, the familiar was believed to be one of the means through which a witch might harm or kill a person or their property.

It is worth noting that most people who were accused of witchcraft in England were not executed. However, stories about familiars and the discovery of a ‘witch’s mark’ on the body of the accused – a strange blemish or growth from which the familiar was said to suckle blood – could be damning evidence of a diabolic pact.

Due to the sheer breadth of information we have on familiars from pamphlets discussing witch trials, in this series of blog posts I will focus on just a few prominent forms of familiars that appeared in English witch trials – dogs and toads, but first, the cat…

Halloween decorations are dominated by sleek black cats, believed by some to cause bad luck, although sometimes said to be lucky in England and Scotland. However, familiars taking feline form in the witch trials were not exclusively black.

A literary connection

The three witches in Shakespeare’s Macbeth mention their familiars as they are about to depart from each other’s company in Act 1, Scene 1;‘Graymalkin’ refers to a grey cat, while ‘Paddock’ refers to a toad familiar. Macbeth was probably written during the reign of King James VI of Scotland and I of England, who wrote Daemonologiefirst published in 1597. This was a treatise which, amongst other things, argued that witches were very real, that the devil could appear to them in various forms and discussed the kinds of magic they used. This emphasis on evidence was intended to make sure that the ‘right’ people were tried and executed as witches. James himself became involved in a number of witch trials when he believed there was reason to doubt the accusation of witchcraft.

Three Witches and a cat called Sathan

In 1566, three women stood accused of witchcraft in Chelmsford, Essex. Their names were Elizabeth Francis, Agnes Waterhouse and Joan Waterhouse. Agnes Waterhouse was about to become the first recorded case of a person executed for witchcraft in England. At the heart of the trial was a story about ‘Sathan’ or Satan, the feline familiar of Elizabeth and then Agnes. He was the devil in animal form. Elizabeth said that she inherited the spirit, which first appeared ‘in the likeness of a whyte spotted catte’, from her grandmother. His first act of service for Elizabeth was to provide her with some sheep when she asked to be rich, although the sheep soon disappeared.

Sathan was quite vocal. He supposedly spoke to Elizabeth and advised her on how to attract a suitor and abort a pregnancy when the suitor refused to marry her. He killed the suitor in revenge for not marrying Elizabeth. Sathan was also said to have killed Elizabeth’s infant daughter and lamed her husband at her request when she was later unhappily married. Sathan’s payment for such services was food, such as bread and milk, and some of Elizabeth’s blood, which was suckled from a witch’s mark on her body. He was later traded to Agnes Waterhouse in exchange for a cake.

The Black Cat – A Familiar Story

Tales of a black cat familiar appeared in a pamphlet in 1579, discussing a trial in Windsor. This familiar, ‘Gille’, belonged to Mother Devell and was fed, like Sathan, with blood and milk. ‘Bunne’, another familiar, assuming the likeness of a black cat, appeared in this trial and was said to have tried to have persuaded its mistress to escape rather than confess her crimes. Elizabeth Stile, who was not liked by her neighbours, was said to have a familiar called Phillip, who took the form of a rat. Clearly demonic cats did not seem to mind working with equally demonic beings that might normally serve as prey items!

Why Cats?

So, why did the devil, or devils, and familiars sometimes appear as cats? It’s hard to say exactly why certain animal forms were thought to be more favoured by such spirits than others but it’s likely that some of it was down both human and animal behaviours. Cats have not been domesticated nearly as long as dogs have and seem to retain a fair amount of wild instincts, such as their strong hunting instinct. In dogs this instinct could easily be channelled into hunting for sport, due to their nature as pack animals, meaning that hunting breeds were prized amongst the nobility for whom hunting was a favourite pastime. The dog, as a pack animal, could be more easily trained to perform a variety of tasks for humans and seemed to bend more easily to our will.

Cats have not been as selectively bred or regulated by humans to the same extent as dogs. Their nature has often been perceived as aloof and mysterious in the West. In the sixteenth and seventeenth centuries the behaviour of cats, such as their nightly activities and tendency to do as they please could have been interpreted as being sinister in a world that was still very religious and did not have the scientific and medical resources available to us today. However, that is not to say that cats were not celebrated at all. Some stories had cats aiding heroes, such as the cat in the story of Dick Whittington, although some of these cats also seemed to be supernaturally intelligent.

Although the strong hunting instinct of cats was utilised to control vermin, cats themselves could be regarded as a risk to human health; in the seventeenth century, some physicians thought that a cat’s breath could have a poisonous effect on the lungs. Stray cats and dogs were killed during the Great Plague of London in 1665 in an effort to control the spread of disease. With people unable to fully explain how the plague spread, it is easy to see how some animals were wrongly blamed for the disease.

Stephanie Studders